RAAG DARBARI NOTES - DESCRIPTION / INTRODUCTION - राग दरबारी विवरण / परिचय

RAAG DARBARI NOTES - DESCRIPTION / INTRODUCTION - राग दरबारी / राग-दरबारी-कान्हडा विवरण / परिचय

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राग दरबारी-कान्हडा का परिचय हिंदी में

राग दरबारी परिचय – यह राग आसावरी थाट से निष्पन्न माना जाता है। इसमें वादी स्वर ऋषभ और संवादी स्वर पंचम को स्वीकार किया गया है। इस राग की जाति को कुछ विद्वान सम्पूर्ण-षाडव मानते हैं, जबकि कई इसे वक्र सम्पूर्ण जाति का राग भी कहते हैं। राग दरबारी को गाने और बजाने का उपयुक्त समय मध्यरात्रि है। इसकी प्रकृति अत्यंत गंभीर और प्रभावशाली मानी जाती है। आरोह में गांधार का प्रयोग अत्यंत सीमित और कोमल रूप में होता है, जबकि निषाद और पंचम की संगति इस राग में अत्यंत मोहक एवं भावपूर्ण रूप से उभरती है।

यह मान्यता है कि राग दरबारी कान्हड़ा की रचना महान संगीतज्ञ तानसेन ने की थी। यह राग एक शांत, गंभीर और प्रभावशाली वातावरण निर्मित करता है। इस राग में गंधार और धैवत स्वर पर विशेष प्रकार का आंदोलन किया जाता है। आरोह में गंधार को ऋषभ के स्पर्श के साथ और धैवत को पंचम के स्पर्श से प्रयोग किया जाता है। वहीं अवरोह में गंधार को मध्यम का कण लगाकर तथा धैवत को निषाद के कण के साथ लिया जाता है।

अवरोह में कई बार धैवत को प्रयुक्त नहीं किया जाता, उदाहरण के लिए – सा’ (नि₁) ध₁ नि₁ प। यह राग गमक और मींड प्रधान होता है और प्रायः इसका विस्तार मंद्र और मध्य सप्तक में किया जाता है। नीचे दी गई स्वर संगतियाँ राग दरबारी कान्हड़ा के स्वरूप को स्पष्ट रूप से प्रस्तुत करती हैं –

राग दरबारी-कान्हडा का परिचय | Raag Darbari Kanhada Description in English

Introduction to Raag Darbari-Kanhra in English

Raag Darbari Overview – This raga is believed to have originated from the Asavari Thaat. The Vadi (most prominent note) of this raga is Rishabh (Re), and the Samvadi (second most prominent note) is Pancham (Pa). Some scholars categorize this raga as Sampurna–Shadav (complete in ascent and six notes in descent), while others describe it as a Vakra Sampurna raga due to its zigzag movement. The ideal time to perform or listen to Raag Darbari is midnight. It is considered to have a very serious and dignified nature. In the ascent (Aaroh), the note Gandhar (Ga) is used sparingly and delicately, while the combination of Nishad (Ni) and Pancham (Pa) creates a melodious and emotionally rich effect.

It is widely believed that the great musician Tansen created Raag Darbari Kanhra. The raga evokes a calm, grave, and majestic atmosphere. Special oscillations (andolans) are applied to the notes Gandhar (Ga) and Dhaivat (Dha). In the ascent, Ga is approached with a touch of Rishabh (Re), and Dha is rendered with a nuance of Pancham (Pa). Similarly, in the descent (Avaroh), Ga is touched with Madhyam (Ma), and Dha with a hint of Nishad (Ni).

In some descending phrases, Dha is deliberately omitted, for example: Sa’ (Ni₁) Dha₁ Ni₁ Pa. This raga is characterized by its heavy use of gamak (oscillations) and meend (glides), and its elaboration typically occurs in the lower and middle octaves. The following melodic patterns (swar sangatis) effectively represent the structure and essence of Raag Darbari Kanhra.

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RAAG DARBARI NOTES - DESCRIPTION / INTRODUCTION - राग दरबारी विवरण / परिचय

RAAG DARBARI NOTES - DESCRIPTION / INTRODUCTION - राग दरबारी विवरण / परिचय

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राग – आरोह, अवरोह व पकड़ हिंदी में

राग दरबारी आरोह अवरोह हिंदी में
  • आरोह – .नि  सा रे ग रे सा , म प ध नि सां 
  • अवरोह – सां ध नि प म प ग म रे सा
राग दरबारी परिचय
  • पकड़ – ग रे रे, सा ध नि सा रे सा
  • थाट – आसावरी
  • जाति  – सम्पूर्ण – षाडव
  • वादी – ऋषभ (रे)
  • संवादी – पंचम (प)
  • गायन समय – मध्यरात्रि
आरोह – ऩि सा रे म प नि सां
अवरोह – सां नि प म रे सा पकड़ – रे म प नि प, म रे, ऩि सा

राग दरबारी विशेषताएँ

  • ग और ध अन्दोलित होते है। 
  • ग म रे सा तथा ध नि प कानड़ा का अंग है। 
  • इसकी चलन मद्र मध्य में ज्यादा है। 
  • ग और ध वक्र है। 
  • गंभीर प्रकृति का राग है 

Raag Darbari – Aaroh, Avaroh & Introduction in English

Aaroh (Ascent): .ni Sa Re ga Re Sa, ma Pa dha ni Sā | S R g m P d n S’
Avaroh (Descent): Sā dha ni Pa ma Pa ga ma Re Sa | S’ d n P m P g m R S

Raag Darbari OverviewPakad (Signature Phrase): ga Re Re, Sa dha ni Sa Re Sa
Thaat (Parent Scale): Asavari
Jati (Note Count): Sampurna–Shadav (Seven notes in Aaroh, Six in Avaroh)
Vadi (Most Prominent Note): Rishabh (Re)
Samvadi (Second Most Prominent Note): Pancham (Pa)
Time of Performance: Midnight

Distinctive Features of Raag Darbari

The notes Ga (Gandhar) and Dha (Dhaivat) are oscillated (andolit).

The phrases Ga Ma Re Sa and Dha Ni Pa reflect the typical Kanhra style.

The movement of the raga is mostly focused in the lower (mandra) and middle (madhya) octaves.

Ga and Dha are used in a zigzag (vakra) manner.

Raag Darbari has a deep, serious, and grave emotional character.

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RAAG DARBARI NOTES - DESCRIPTION / INTRODUCTION - राग दरबारी विवरण / परिचय

RAAG DARBARI NOTES - DESCRIPTION / INTRODUCTION - राग दरबारी विवरण / परिचय

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R R R S S S .n S R .d.d .n
S S S R R P mG mR R S S
m - P -d -n - S. ns. -
n S.n pP Pm g m RR S
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RAAG DARBARI NOTES - DESCRIPTION / INTRODUCTION - राग दरबारी विवरण / परिचय

RAAG DARBARI NOTES - DESCRIPTION / INTRODUCTION - राग दरबारी विवरण / परिचय

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12  34  56  78  9,10  1112  12  34  56  78  910  1112 
.d.n  SR  gm  Pg  mm  RS  .nS  .d.n  S-  .d.n  S-  .d.n 
                       
mP  dn  Pg  mm  RS  .nS  .d.n  S-  .d.n  S-  .d.n  S- 
                       
mP  dn  S.S.  nP  mP  gm  RS  .nS  gm  RS  .nS  gm 
RS  .nS  .nS  .nS  .nS  .nS             
                       
mP  dn  S.R.  nS.  dn  mP  gm  RS  gm  RS  gm  RS 
RS 

 

 RS 

 

 RS 

 

 RS 

 

 RS 

 

 RS 

 

            
                       
                       
Gm  RS  .nS  PP  mP  gm  RS  .nS  mP  dn  S.S.  nP 
mP  gm  RS  .n-  -S  —  .n-  -S  —  .n-  -S  — 
.nS  -.n  S-  .nS  -n  S-  .nS  S.n  SS  .nS  S.n  SS 
                       
.d.n  SR  gm  Pg  mR  S.n  SR  mP  dn  Pm  Pd   nS. 
R.S.  nS.  dn  Pm  Pd  nS.  nP  mP  gm  RS  .nS  RS 
—  .nS  RS  —  .nS  RS             
                       
                       
                       

ibus leo.

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RAAG DARBARI NOTES - DESCRIPTION / INTRODUCTION - राग दरबारी विवरण / परिचय

INTRODUCTION

RAAG DARBARI NOTES - DESCRIPTION / INTRODUCTION - राग दरबारी / राग-दरबारी-कान्हडा विवरण / परिचय

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राग दरबारी-कान्हडा का परिचय हिंदी में

राग दरबारी परिचय – यह राग आसावरी थाट से निष्पन्न माना जाता है। इसमें वादी स्वर ऋषभ और संवादी स्वर पंचम को स्वीकार किया गया है। इस राग की जाति को कुछ विद्वान सम्पूर्ण-षाडव मानते हैं, जबकि कई इसे वक्र सम्पूर्ण जाति का राग भी कहते हैं। राग दरबारी को गाने और बजाने का उपयुक्त समय मध्यरात्रि है। इसकी प्रकृति अत्यंत गंभीर और प्रभावशाली मानी जाती है। आरोह में गांधार का प्रयोग अत्यंत सीमित और कोमल रूप में होता है, जबकि निषाद और पंचम की संगति इस राग में अत्यंत मोहक एवं भावपूर्ण रूप से उभरती है।

यह मान्यता है कि राग दरबारी कान्हड़ा की रचना महान संगीतज्ञ तानसेन ने की थी। यह राग एक शांत, गंभीर और प्रभावशाली वातावरण निर्मित करता है। इस राग में गंधार और धैवत स्वर पर विशेष प्रकार का आंदोलन किया जाता है। आरोह में गंधार को ऋषभ के स्पर्श के साथ और धैवत को पंचम के स्पर्श से प्रयोग किया जाता है। वहीं अवरोह में गंधार को मध्यम का कण लगाकर तथा धैवत को निषाद के कण के साथ लिया जाता है।

अवरोह में कई बार धैवत को प्रयुक्त नहीं किया जाता, उदाहरण के लिए – सा’ (नि₁) ध₁ नि₁ प। यह राग गमक और मींड प्रधान होता है और प्रायः इसका विस्तार मंद्र और मध्य सप्तक में किया जाता है। नीचे दी गई स्वर संगतियाँ राग दरबारी कान्हड़ा के स्वरूप को स्पष्ट रूप से प्रस्तुत करती हैं –

राग दरबारी-कान्हडा का परिचय | Raag Darbari Kanhada Description in English

Introduction to Raag Darbari-Kanhra in English

Raag Darbari Overview – This raga is believed to have originated from the Asavari Thaat. The Vadi (most prominent note) of this raga is Rishabh (Re), and the Samvadi (second most prominent note) is Pancham (Pa). Some scholars categorize this raga as Sampurna–Shadav (complete in ascent and six notes in descent), while others describe it as a Vakra Sampurna raga due to its zigzag movement. The ideal time to perform or listen to Raag Darbari is midnight. It is considered to have a very serious and dignified nature. In the ascent (Aaroh), the note Gandhar (Ga) is used sparingly and delicately, while the combination of Nishad (Ni) and Pancham (Pa) creates a melodious and emotionally rich effect.

It is widely believed that the great musician Tansen created Raag Darbari Kanhra. The raga evokes a calm, grave, and majestic atmosphere. Special oscillations (andolans) are applied to the notes Gandhar (Ga) and Dhaivat (Dha). In the ascent, Ga is approached with a touch of Rishabh (Re), and Dha is rendered with a nuance of Pancham (Pa). Similarly, in the descent (Avaroh), Ga is touched with Madhyam (Ma), and Dha with a hint of Nishad (Ni).

In some descending phrases, Dha is deliberately omitted, for example: Sa’ (Ni₁) Dha₁ Ni₁ Pa. This raga is characterized by its heavy use of gamak (oscillations) and meend (glides), and its elaboration typically occurs in the lower and middle octaves. The following melodic patterns (swar sangatis) effectively represent the structure and essence of Raag Darbari Kanhra.

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RAAG DARBARI NOTES - DESCRIPTION / INTRODUCTION - राग दरबारी विवरण / परिचय

Aroha

RAAG DARBARI NOTES - DESCRIPTION / INTRODUCTION - राग दरबारी विवरण / परिचय

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राग – आरोह, अवरोह व पकड़ हिंदी में

राग दरबारी आरोह अवरोह हिंदी में
  • आरोह – .नि  सा रे ग रे सा , म प ध नि सां 
  • अवरोह – सां ध नि प म प ग म रे सा
राग दरबारी परिचय
  • पकड़ – ग रे रे, सा ध नि सा रे सा
  • थाट – आसावरी
  • जाति  – सम्पूर्ण – षाडव
  • वादी – ऋषभ (रे)
  • संवादी – पंचम (प)
  • गायन समय – मध्यरात्रि
आरोह – ऩि सा रे म प नि सां
अवरोह – सां नि प म रे सा पकड़ – रे म प नि प, म रे, ऩि सा

राग दरबारी विशेषताएँ

  • ग और ध अन्दोलित होते है। 
  • ग म रे सा तथा ध नि प कानड़ा का अंग है। 
  • इसकी चलन मद्र मध्य में ज्यादा है। 
  • ग और ध वक्र है। 
  • गंभीर प्रकृति का राग है 

Raag Darbari – Aaroh, Avaroh & Introduction in English

Aaroh (Ascent): .ni Sa Re ga Re Sa, ma Pa dha ni Sā | S R g m P d n S’
Avaroh (Descent): Sā dha ni Pa ma Pa ga ma Re Sa | S’ d n P m P g m R S

Raag Darbari OverviewPakad (Signature Phrase): ga Re Re, Sa dha ni Sa Re Sa
Thaat (Parent Scale): Asavari
Jati (Note Count): Sampurna–Shadav (Seven notes in Aaroh, Six in Avaroh)
Vadi (Most Prominent Note): Rishabh (Re)
Samvadi (Second Most Prominent Note): Pancham (Pa)
Time of Performance: Midnight

Distinctive Features of Raag Darbari

The notes Ga (Gandhar) and Dha (Dhaivat) are oscillated (andolit).

The phrases Ga Ma Re Sa and Dha Ni Pa reflect the typical Kanhra style.

The movement of the raga is mostly focused in the lower (mandra) and middle (madhya) octaves.

Ga and Dha are used in a zigzag (vakra) manner.

Raag Darbari has a deep, serious, and grave emotional character.

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RAAG DARBARI NOTES - DESCRIPTION / INTRODUCTION - राग दरबारी विवरण / परिचय

BANDISH

RAAG DARBARI NOTES - DESCRIPTION / INTRODUCTION - राग दरबारी विवरण / परिचय

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R R R S S S .n S R .d.d .n
S S S R R P mG mR R S S
m - P -d -n - S. ns. -
n S.n pP Pm g m RR S
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RAAG DARBARI NOTES - DESCRIPTION / INTRODUCTION - राग दरबारी विवरण / परिचय

TAANEIN

RAAG DARBARI NOTES - DESCRIPTION / INTRODUCTION - राग दरबारी विवरण / परिचय

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12  34  56  78  9,10  1112  12  34  56  78  910  1112 
.d.n  SR  gm  Pg  mm  RS  .nS  .d.n  S-  .d.n  S-  .d.n 
                       
mP  dn  Pg  mm  RS  .nS  .d.n  S-  .d.n  S-  .d.n  S- 
                       
mP  dn  S.S.  nP  mP  gm  RS  .nS  gm  RS  .nS  gm 
RS  .nS  .nS  .nS  .nS  .nS             
                       
mP  dn  S.R.  nS.  dn  mP  gm  RS  gm  RS  gm  RS 
RS 

 

 RS 

 

 RS 

 

 RS 

 

 RS 

 

 RS 

 

            
                       
                       
Gm  RS  .nS  PP  mP  gm  RS  .nS  mP  dn  S.S.  nP 
mP  gm  RS  .n-  -S  —  .n-  -S  —  .n-  -S  — 
.nS  -.n  S-  .nS  -n  S-  .nS  S.n  SS  .nS  S.n  SS 
                       
.d.n  SR  gm  Pg  mR  S.n  SR  mP  dn  Pm  Pd   nS. 
R.S.  nS.  dn  Pm  Pd  nS.  nP  mP  gm  RS  .nS  RS 
—  .nS  RS  —  .nS  RS             
                       
                       
                       

ibus leo.

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RAAG DARBARI NOTES - DESCRIPTION / INTRODUCTION - राग दरबारी विवरण / परिचय

Discover your vocal potential with PAIPA’s singing classes in Delhi. They are dedicated to nurturing aspiring talent and seasonal singers. Whether you are a beginner exploring music or want to become an advanced vocal performer, we can help you.

PAIPA stands for Pradeep Adwani Institute for Performing Art. Under the expert guidance of Mr Pradeep Adwani, you can train yourself to enhance your vocal skills, pitch control, and voice modulation.

Our classes are available on weekdays and weekends. You can schedule your classes as per your flexibility. We are committed to bringing creativity and confidence to the students. Hence, every student can develop a well-rounded skill set under expert guidance.

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Types of Singing Classes We Offer in Delhi

We offer multiple batches for Singing. In Vocal Music, we teach Indian Classical Singing (Hindustani Shastriya Sangeet), Bollywood Singing, Voice and Pitch Modulations, Ghazals, Bhajans, Light Vocal Music, and more. We also have Professional Vocal Music courses for those looking to take their skills to the next level.

Being the best singing classes in Delhi, PAIPA provides different types of singing classes. Here is the list of classes we provide for the singing lovers

Singing Classes in South Delhi, Indian Vocal Music Teacher, Hindustani Classical Sangeet, NCR, New Delhi

PAIPA’s Group singing classes boost collaboration and teamwork with the students. Build teamwork, learn synchronization, and experience the joy of creating music together in a supportive environment with us. Our supportive environment encourages creativity as well as confidence in the student.

Group Singing Classes

Chorus Singing Classes

Under chorus singing class, we focus on developing harmony and vocals with the choir settings. Students can learn blending, dynamic control, and balance to create the right chorus performance with precision and emotion. In addition, get a deep understanding of the musical arrangement with us.

Chorus Singing Classes

Singing Classes in South Delhi, Indian Vocal Music Teacher, Hindustani Classical Sangeet, NCR, New Delhi

Special singing classes for kids are also available. You can introduce your children to music with us. Our fun and engaging singing classes make your kid creative, confident and develop playfully. Your children can learn singing in a nurturing environment with Mr. Pradeep Adwani.

Singing for Kids

Singing Classes in South Delhi, Indian Vocal Music Teacher, Hindustani Classical Sangeet, NCR, New Delhi

Under singing for stage performance, we focus on preparing students for life performance. Learn vocal projection, confidence, and technique to deliver powerful and mesmerizing performances on stage.

Singing for Stage Performance

Singing Classes in South Delhi, Indian Vocal Music Teacher, Hindustani Classical Sangeet, NCR, New Delhi

Under vocal technique classes, we focus on the development of essential vocal skills. We will enhance your vocal range, clarity, and control through various voice techniques. Our techniques and classes are important for singers to improve their overall sound and performance.

Voice Technique Classes

Singing Classes in South Delhi, Indian Vocal Music Teacher, Hindustani Classical Sangeet, NCR, New Delhi

You can dive into the world of musicals with PAIPA’s singing classes and musical singing lessons with Mr Adwani. You can explore different musical expressions by developing their unique voice. Perfect your vocal expression, timing, and harmonization to bring life to the music.

Musical Singing Lessons

Pradeep Adwani

Meet Your Expert Singing Instructor

PAIPA stands for Pradeep Adwani’s Institute for Performing Arts ( Dance & Music Classes ), led by Mr. Pradeep Adwani. It is a premier institute for performing arts in Delhi. With 29 years of experience, Pradeep Adwani has led PAIPA to win the “Best Dance and Music Academy in India” award 18 times. 

He brings his legacy of performing arts like dance and music from 1995. His journey is inspiring students. Mr Pradeep Adwani is fostering creativity and confidence in students.

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Awarded 18 times for "Best Dance & Music Academy in India"

Awarded 18 times for "Best Dance & Music Academy in India"

Singing Classes Near You in Delhi

If you’re looking for singing classes near you in Delhi, Paipa Singing Classes is the perfect choice. You can visit the Paipa academy, which is conveniently located near the areas listed below, and you can easily reach it from these nearby locations: Singing Classes in Kailash Colony 110048, Singing Classes in East of Kailash 110065, Singing Classes in Greater Kailash I (GK I) 110048, Singing Classes in Greater Kailash II (GK II) 110048, Singing Classes in Nehru Place 110019, Singing Classes in Lajpat Nagar 110024, Singing Classes in Chittaranjan Park (CR Park) 110019, Singing Classes in Kalkaji 110019, Singing Classes in Sant Nagar 110065, Singing Classes in Amar Colony 110024, Singing Classes in Masjid Moth 110048, Singing Classes in Sriniwaspuri 110065, Singing Classes in Zamrudpur 110048.

Frequently Asked Questions

Who conducts singing classes at PAIPA?

The singing classes are conducted by Mr Pradeep Adwani. He is a professional and experienced instructor dedicated to music and performing arts.

Do you also provide types of music classes other than singing?

Yes, PAIPA offers music classes like guitar classes, keyboard lessons, and other music-related classes for beginners and advanced learners.

Can I learn classical singing at PAIPA?

Yes, you can learn classical singing as well as contemporary singing style under Mr. Pradeep Adwani.

I am a beginner in singing. Are your singing classes suitable for me?

Yes, our singing classes are suitable for beginners. We provide singing classes for all beginners, intermediate, and advanced-level students.

Do you also provide private singing lessons?

Yes, we provide private singing lessons as well as group singing lessons. You can choose as per your preferences and needs.

What age group can join your singing classes in Delhi?

Students of all ages, whether you are kids, teenagers, or adults can join our singing classes.

How long does it take to improve my vocal skills?

If you want to improve your vocal skills, you need to practice it. Sometimes it takes months to years.

Do I need to have some musical knowledge to join your classes?

No, there is no requirement for musical knowledge. You can join us, even if you are a beginner.

How can I enroll in your singing classes in Delhi?

If you want to enroll in our classes in Delhi, you can contact us on our official numbers.

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