
Online Singing Classes for Indian Classical & Light Bollywood Music in Delhi, India
PHONE NO / WHATSAPP – +91-9811559306
SCHEDULE AND FEE STRUCTURE FOR ONLINE VOCAL MUSIC LESSONS IN DELHI, INDIA
DAYS & TIMINGS
WEEKENDS
1. SATURDAY – 01:00 PM
2. SUNDAY – 01:00 PM
WEEKDAYS
1. TUESDAY – 7:30 PM (Online)
2. THURSDAY – 7:30 PM (Online)
WEEKDAYS WESTERN VOCAL
1. TUESDAY – 4:00 PM (Online)
2. THURSDAY – 4:00 PM (Online)
(On Site & Online)
Note :- No Demo or trail classes will be provided.
Note :- It’s compulsory to take at least four or more paid individual class before joining the group classes.
FEE STRUCTURE ONLINE SINGING CLASSES IN DELHI, INDIA
Online Singing Classes
ADMISSION FEE RS. 500/- ONETIME
MONTHLY FEE RS. 2500/- FOR LESSONS ONCE A WEEK
MONTHLY FEE RS. 4000/- FOR LESSONS TWICE A WEEK
MONTHLY FEE RS. 5000/- FOR LESSONS THRICE A WEEK
ONE CLASS IN GROUP RS. 750/- FOR LESSONS PER CLASS
INDIVIDUAL LESSONS RS. 1200/- To 2000/- PER CLASS FOR 40 MINUTES
Yearly Fee RS. 40,000/- TWICE A WEEK CLASS FOR 40 MINUTES
Course in Vocal Music
1. Certified Course – One year
2. Diploma Course – Three years
3. Degree Course – Five years
Only yearly fee paid students can do these courses
Same Courses in with actual names
Diploma Course in Vocal Music, Degree Course in Vocal Music, Certified Course in Vocal Music
1. Prarambhik (2-year preliminary course)
2. Bhushan (3-year course after Prarambhik)
3. Visharad (2-year course after Bhushan) is treated as equivalent to Bachelor degree in Music.
4. Bhaskar (2-year course after Visharad) is treated as equivalent to Post-Graduate qualification in Music
5. Churamani (Minimum 3-year research after Bhaskar under the guidance of celebrated Indian scholars in the relevant subject) is a Research title.
Yearly Fee Rs. 48,000/-
Online Singing Classes
How to take the class ?
1.Class will be held on zoom application.
2. Please take the class on Laptop / TV not on phone, also attached the laptop with any little loud music system / Bluetooth speaker or Bluetooth earphones / headphones so you can hear the voice / Music / command properly.
3.You can also take the class on Tablets / Phone in case laptop is not available.
Online Singing Classes
PAY THE FEE THROUGH PAYTM / GOOGLE PAY / UPI OR BANK TRANSFER
9811559306
Call for Bank Account Details
CLICK HERE TO LEARN SINGING IN AMAR COLONY, LAJAT NAGAR, SOUTH DELHI AT PAIPA
ONLINE SINGING CLASSES IN HINDI
In vocal music we teach Hindustani Classical, Basic Notations, Ragas but that’s not sufficient to become a good singer. For that we also workout on light music, voice and pitch modulation, so that you can also sing modern songs in any language. (Online Vocal Lessons in Hindi).
We don’t only teach singing but also give you many platforms to show your Singing talent, as we do regular events or shows in Delhi & many places in India & abroad, through that our students from the singing class get good opportunities & confidence. (Online Vocal Music Lessons in India).
Students taking as profession
Many students of our academy have won many competitions. We train deserving Vocal Music students for competitions & Singing Auditions like Indian Idol. Sa Re Ga Ma Pa etc. (Learn Online Classical Singing).
Many students from the Academy, who have completed their course in Vocal Music or who have learned properly, taken singing professionally & doing well in their respective fields.
Indian and Bollywood
PAIPA is the only Academy in Delhi, where along with the classical singing we give you lessons for some western singing styles too. So that the learners can easily sing bollywood Songs as well as english songs. (Learn Online Singing in Delhi, India with PAIPA ).
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Online Singing Classes
Classical Dance – So that. Because. Therefore. So. as a result. so. consequently. That is to say. in other words. So. to clarify. But. however. on the other hand. For example. for instance. Above all. most importantly. certainly. So. Learn Synthesizer Online. In conclusion, to sum up. in short. Classes in Delhi. Online Singing Classes – Likewise. similarly. in the same vein. School online. Meanwhile. during, subsequently. after that. Online lessons for Music. Firstly. secondly. further. and. moreover. in addition. Institute in Delhi. Above all, most importantly, certainly. For example, for instance. But, however, on the other hand. That is to say, in other words, to clarify. Academy in Delhi.
Online Singing Classes
INTRODUCTION OF INDIA CLASSICAL MUSIC
Indian classical music is one of the oldest forms of music in the world. It has its roots in diverse areas such as the ancient religious vedic hymns, tribal chants, devotional temple music, and folk music. Indian music is melodic in nature, as opposed to Western music which is harmonic. The most important point to note is that movements in Indian classical music are on a one-note-at-a-time basis.
Hindustani & Karnataka Music
This progression of sound patterns along time is the most significant contributor to the tune and rhythm of the presentation, and hence to the melody. Although Indian music is now divided into the two major classes of Hindusthani (Northern Indian) and Karnatak or Carnatic (Southern Indian), the origins and fundamental concepts of both these types of music are the same. The form of presentation may however vary between the two systems, as well as from one gharana (family) to another in the former system.
The fundamental concepts
The fundamental concepts that have to be understood at the outset are those of swara (musical note), raga (a melodic concept, or scale of notes) and tala (beats of timing or rhythm). This paper begins with an introduction to these concepts.
Examples of raga -s and musical compositions in the Hindusthani style are used to illustrate the important features of Indian music. Most of the discussion, however, should be applicable to the Karnatak system as well, and to Indian music in general.
SWARA-S: THE MUSICAL NOTES
Unlike the case in Western music, the musical notes used in Indian music are notat standardized frequencies. One may choose any frequency of convenience as the reference, and this frequency would then act as the tonic or base of reference for the music to be presented. Before entering the realm of the swara -s, we should understand the concept of octaves.
A. THE OCTAVE:
While it may be convenient at first sight to see the entire gamut of notes on anyinstrument, for example the piano, as a sequential arrangement of different notes, it soon becomes apparent that there are notes that sound “similar”, but are at different frequencies or pitches[2]. Pairs of such notes, where the frequency of the higher noteis twice that of the lower note, define a range of notes called an octave. Such a higher note, and further notes that are at integral multiples of the frequency of the lower notereferred to, are called the harmonics of the lower note. Thus the entire range of notesavailable may be seen as a cyclical arrangement of octaves.
B. MICRO-NOTES AND NOTES:
It has been observed, by ancient Indian musicians as well as more recent musicians and musicologists across the world, that the human ear is capable of distinguishing at the most 22 musically different or significant notes within any given octave. These notes are referred to as micronotes, or shruti. Seven of these notes are considered to be the basic notes or swara -s in Indian classical music. For this reason,
an octave is called a saptak, meaning a group of seven notes. The basic reference note(the tonic) is called shadja (abbreviated as sa in singing and writing, as S here).While this could be at any frequency, let us consider it to be at 240 Hz (Hertz = cycles per second) for the sake of illustration and further discussion. The octave spanning 240-480 Hz is then the madhya saptak or middle octave, the range 120-240 Hz is the lower octave or mandra saptak, and the frequencies 480-960 Hz make up the taar saptak or higher octave.
Remaining Notes
The remaining notes in an octave are defined with reference to S, and are called rishabh (ri or ray, R), gandhaar (ga, G), madhyam (ma, M), pancham (pa, P), dhaivat (dha, D), and nishad (ni, N). (These notes correspond approximately to the notes C , D , E , F , G , A and B in the Western music scale.) The next note would be the first note of the next octave, a shadja again, which is written as S , and the same sequence repeats for the higher notes.
The ranges S -M and P -S are called the lower and upper tetrachords of the middle octave. The same pattern repeats for the lower octave as well, with the notes written as, e.g., N. . With S at 240 Hz, the nominal frequencies of R , G , M , P , D and N are 270, 300, 320, 360, 405 and 450 Hz in the shuddha or pure scale of Indian music[3]. It is readily seen that these frequencies do not bear an additive relationship. The progression of notes is geometric, being related by the fifth, i.e., P /S = D /R = N /G = S /M = 1.5 [3].
More About
In terms of the micronotes, the difference or spacing between the above basic notes varies between two, three, and four. These basic notes are called the shuddha swara -s, meaning pure notes. Of these notes, S , on account of its being the tonic, and P , perhaps to serve as a secondary reference at the middle of an octave, are considered to be immobile, or achala swara -s.
Five additional notes are obtained by altering the remaining five basic notes as follows. The notes R , G , D , and N are lowered slightly in frequency (by one or two micronotes) to get their flat or komal versions, written as R , G , D , and N . The note M , however, is moved to a slightly higher frequency to obtain its sharp or teevra variant, written as M¢ . With the altered or vikrit swara -s included, an octave now has twelve notes as follows:
S R R G G M M¢ P D D N N
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And we want five days demo classes in online coaching and please responce soon
Please call me I want to join the online singing classes